詹善英擅长用挂钩将物品收纳得井井有条，且对毛巾的使用场景有严格的分类。我通过口述的方式记录和剖析她的生平，并从她保存的物件中找到这份“规整”的证据，借鉴类型学的方式解析詹善英每个挂钩、毛巾的意义。
　　在拍摄的末尾，我们一起完成了一个“行为”，作为这次探索和被探索旅程的圆满结尾。我用自己的手代替詹善英的手，和詹善英一同完成了这个本属于她一人的日常行为——用她专属的洗脸毛巾擦脸。我通过这个行为感受到詹善英对于生活的归置使得“平常”和“深刻”在这条毛巾上同时被表达，毛巾成为了模糊日常生活和艺术创作的符号。
　　Zhanshanying had a knack for organising her belongings on hooks and a strict classification of towels into scenarios of use. I documented and dissected her life through oral narratives and found evidence of this 'orderliness' in the objects she kept, drawing on typology to analyse the meaning of each hook and towel.
　　At the end of the shoot, we completed an 'act' together to conclude this journey of exploring and being explored. With my own hands, I replaced Zhan Sun-Young's hands and performed this act with her - wiping her face with her own washcloth. Through this act, I felt that Zhan Sun-Young's subsumption of life allowed the 'ordinary' and 'profound' to be expressed simultaneously in this towel, which became a symbol that blurred everyday life and artistic creation.