我曾在偶然中扫描得到了一组实验影像。通过对这些影像的观察与联想，似乎能隐约感受到某种具有东方传统意境的微弱象征蕴含其中。由此我得到灵感并尝试继续使用扫描这种接近于触觉的无相机摄影方式进行创作。
　　《无限接近》系列一作品意在一定程度上打破“读图”的传统思维，通过视觉刺激使观者在猜测图像为何物的同时进行遐想，使得他们不断寻找无限接近于心中所想的的答案。
　　《无限接近》系列二作品解构了不具备明显符号特征的事物并再创作，希望能通过形与意的象征牵引他们的思维无限接近于我的主观引导，使观者步入一个带有东方古典诗意的难以探得虚实的幻境时空。
　　I have got a set of scanned experimental images by chance. Through the observation and association of these images, it seems that I can vaguely feel some kind of faint symbols with the traditional meaning of the East. This inspired me to continue to use scanning as a camera-less method of photography that is close to the sense of touch.
　　In first series of “Infinite Proximity”, I intended to break the traditional pattern of "reading pictures" to a certain extent. The viewer can guess what the image is and at the same time make a reverie, making them keep searching for the answer that is infinitely close to what they think through visual stimulation.
　　The works of “Infinite Proximity” Series II deconstruct and recreate things that do not have obvious symbolic characteristics, hoping to draw their minds infinitely close to my subjective guidance through the symbols of form and meaning, so that the viewers can step into an illusionary time and space with classical oriental poetic meaning that is difficult to distinguish reality and virtuality.