艺术家的作品将空无感渗透到最小的细节中。她的作品场景往往是那些不显眼的对象，比如：朴素的手工艺品、郊区的基础设施，以及建筑。她试图理解人与人造空间之间的动态平衡，并通过空间痕迹来理解建筑所承载的人类活动及其事后状态。这些常常处于休眠状态的画面是欲望和焦虑的碰撞。
　　
　　在“窗边静物”系列中，照片的边缘与实际窗框的轮廓相呼应，紧密且一致的构图强化了一种坚定不移的观看模式，这种模式在有颗粒的纹理画面上徘徊，并消除了它的影响。
　　The artist's work penetrates emptiness into the smallest details. The scenes of her works are often inconspicuous objects, such as simple handicrafts, suburban infrastructure, and buildings. She tries to understand the dynamic balance between human and man-made space, and understands the human activities carried by architecture and its post event state through space traces. These often dormant pictures are the collision of desire and anxiety.
　　In the "things by window" series, the edge of the photo echoes the outline of the actual window frame. The close and consistent composition strengthens a firm viewing mode, which hovers on the grainy texture screen and eliminates its influence.