艺术家用精简的手法将联想与叙事融入摄影创作。这些作品往往是个人经历或者更久远而不完整的档案或传记。这些经历中存在的缺口产生了填补的焦点，她的创作填充了这些空隙。
　　本次展览的摄影和录像作品通过记录、挪用和拼贴等方式，传达了一种情感和地理场域的交织。在康涅狄格州高速公路旁的山坡上留下的痕迹碎片，与谷歌地图上发现一个女人走过沙漠的图像，疑似成为平行宇宙相遇的证据。两个人实现融合，在另一个人中寻找自我，以相机和镜子等工具见证距离与认知。
　　The artist integrates Association and narration into photography creation in a simplified way. These works are often personal experiences or more ancient and incomplete archives or biographies. The gaps in these experiences have generated the focus of filling, and her creation has filled these gaps.
　　The photographic and video works in this exhibition convey an interweaving of emotion and geographical field through recording, misappropriation and collage. The trace fragments left on the hillside beside the Connecticut highway and the image of a woman walking through the desert found on Google map are suspected to be evidence of the encounter of the parallel universe. Two people realize integration, find themselves in another person, and witness distance and cognition with tools such as cameras and mirrors.