暂时摆脱城市巨大的向心力，我们不断地介入到山水川谷，并无序地切换转场于社会与自然这样既区分又交叉的空间，这种接续与重叠的空间体验随即产生了心理图景上对山水形态的提炼与概括。选择用一次成像的方式来“直觉”获取外观，然后将承载影像的表皮进行剥离，溢出被框取住的四方白边，并移植到LED光域中。薄膜在转移重塑过程中借势水流变化和笔刷痕迹发生褶皱、破碎与斑驳，来重新写生和蔓延心中的山水脉络，反观人与自然的恒久而脆弱，也试图通过这些“伤痕”来隐喻自然空间中那些无法避免的拉扯与刺痛。
　　We constantly intervene in the mountains and valleys, and switch in a disorderly manner between the differentiated and intersecting spaces of society and nature to flee from the huge centripetal force of the city temporarily. This spatial experience of succession and overlap then gives rise to the refinement and generalization of the landscape form in the mental picture. By choosing method of single shot, the appearance is "intuitively" obtained. Then, the skin which carries the image is peeled off, spilling over the framed white quadrants and transposing them into the LED light field. In the process of transferring and reshaping, the film is creased, broken and mottled by the changing water flow and brush marks, in order to rewrite and spread the veins of the landscape in the heart, reflecting on the constancy and fragility of man and nature, and trying to metaphorize the unavoidable pull and sting in the natural space through these "scars".