2021年春我在辽宁省本溪市周边与搭档开车进行大画幅创作，沿途寻找郊区自然风光中的人类痕迹，试图在最接近自然的环境中捕捉到人造的物，我希望通过暗含戏剧性的画面传达出我对于人类和自然关系的持续关注。作品中的风景既不完全是自然，也不完全是人为，人类社会和人类活动入侵制造的这些“假”风景与它所处的自然环境形成一种和谐的谬误感，具有某种奇异的美感。
　　In the spring of 2021, I drove around Benxi City, Liaoning Province, with my partner on a large-format project, searching for traces of humans in the natural landscape of the suburbs along the way, trying to capture man-made objects in the closest natural environment. I hope to convey my ongoing concern for the relationship between humans and nature through my implicitly dramatic images. The landscapes in this work are neither entirely natural nor entirely man-made; the "fake" landscapes created by the intrusion of human society and human activity create a sense of harmony and fallacy with the natural environment in which they are located, with a certain strange beauty.